Art? What is it and what’s it for? These eternal questions kept coming up on our very artsy visit to London last week, where we took in: Hajj: journey to the heart of Islam at the British Museum; Dickens & London at the Museum of London; the play “The Pitmen Painters” at the Duchess Theatre on Drury Lane, and even a visit to ancient Stonehenge. (2012/02/27))
El fetichismo de la mercancía was said again, this time by another country voice. Finally I got what they were saying: “the fetishism of commodities.” It was a study group, reading volume I of Capital.
“El hombre del país azul” es el héroe revolucionario que todos nosotros — los de la generación de Manuel Alegre (n. 1936) y con preocupaciones por la justicia social — nos imaginábamos.